P
- Paar (Goutam Ghose, 1984)
- Pacifiction (Albert Serra, 2022)
- Page of Madness, A (Teinosuke Kinugasa, 1926)
- Pain & Glory (Pedro Almodovar, 2019)
- Painted Bird, The (Vaclav Marhoul, 2019)
- Painter and the Thief, The (Benjamin Ree, 2020)
- Paisan (Roberto Rossellini, 1946) – Criterion Collection
- Papicha (Mounia Meddour, 2019)
- Paprika (Satoshi Kon, 2006)
- Parade (Jacques Tati, 1974) – Criterion Collection
- Parallel Mothers (Pedro Almodovar, 2021)
- Paranoid Park (Gus Van Sant, 2007)
- Parasite (Bong Joon-ho, 2019) – Criterion Collection
- Pasolini (Abel Ferrara, 2014)
- Passing Summer (Angela Schanelec, 2001)
- Paterson (Jim Jarmusch, 2016)
- Pather Panchali (Satyajit Ray, 1955) – Criterion Collection
- Paths of Glory (Stanley Kubrick, 1957) – Criterion Collection
- Pauline at the Beach (Eric Rohmer, 1983)
- Peeping Tom (Michael Powell, 1960) – Criterion Collection
- Perceval (Eric Rohmer, 1978)
- Perfect Blue (Satoshi Kon, 1997)
- Perfect Candidate, The (Haifaa Al-Mansour, 2019)
- Permanent Vacation (Jim Jarmusch, 1980) – Criterion Collection
- Persecution (Patrice Chereau, 2009)
- Persona (Ingmar Bergman, 1966) – Criterion Collection
- Personal Shopper (Olivier Assayas, 2016) – Criterion Collection
- Petit Soldat, Le (Jean-Luc Godard, 1963) – Criterion Collection
- Petite Maman (Celine Sciamma, 2021) – Criterion Collection
- Phantom of Liberty, The (Luis Bunuel, 1974) – Criterion Collection
- Phantom Thread (P.T. Anderson, 2017)
- Phoenix (Christian Petzold, 2014) – Criterion Collection
- Pianist, The (Roman Polanski, 2002)
- Piano Teacher, The (Michael Haneke, 2001) – Criterion Collection
- Pickpocket (Robert Bresson, 1959) – Criterion Collection
- Pickpocket (Jia Zhangke, 1998)
- Pierrot le fou (Jean-Luc Godard, 1965) – Criterion Collection
- Pigeon Sat on a Branch Reflecting on Existence, A (Roy Andersson, 2014)
- Pigsty (Pier Paolo Pasolini, 1969) – Criterion Collection
- Pinocchio (Guillermo Del Toro & Mark Gustafson, 2022)
- Pinoy Sunday (Ho Wi Ding, 2009)
- Place Promised in Our Early Days, The (Makoto Shinkai, 2004)
- Place Without Limits, The (Arturo Ripstein, 1978)
- Platoon (Oliver Stone, 1986)
- Playtime (Jacques Tati, 1967) – Criterion Collection
- Pleasure (Ninja Thyberg, 2021)
- Pleasure of Being Robbed, The (Josh Safdie, 2008)
- Pluto Moment, The (Zhang Ming, 2018)
- Police Story (Jackie Chan, 1985) – Criterion Collection
- Police Story 2 (Jackie Chan, 1988) – Criterion Collection
- Pom Poko (Isao Takahata, 1994)
- Pont du Nord, Le (Jacques Rivette, 1981)
- Poor Cow (Ken Loach, 1967)
- Port Authority (Danielle Lessovitz, 2019)
- Portrait of a Lady on Fire (Celine Sciamma, 2019) – Criterion Collection
- Possessor (Brandon Cronenberg, 2020)
- Post, The (Steven Spielberg, 2017)
- Post Mortem (Pablo Larrain, 2010)
- Poulet au vinaigre (Claude Chabrol, 1985)
- Prayer, The (Cédric Kahn, 2018)
- Primer (Shane Carruth, 2004)
- Prisoners (Denis Villeneuve, 2013)
- Promesse, La (Jean-Pierre & Luc Dardenne, 1996) – Criterion Collection
- Prometheus (Ridley Scott, 2012)
- Promising Young Woman (Emerald Fennell, 2020)
- Public Enemies (Michael Mann, 2009)
- Pulp Fiction (Quentin Tarantino, 1994)
- Punch-Drunk Love (P.T. Anderson, 2002) – Criterion Collection
- Puppetmaster, The (Hou Hsiao-Hsien, 1993)
Q
- Quo Vadis, Aida? (Jasmila Zbanic, 2020)
R
- Rachel Getting Married (Jonathan Demme, 2008)
- Raging Bull (Martin Scorsese, 1980) – Criterion Collection
- Raise the Red Lantern (Zhang Yimou, 1991)
- Raising Arizona (Joel & Ethan Coen, 1987)
- Ramen Teh (Eric Khoo, 2018)
- Ramkhind (Amit Dutta, 2001)
- Ran (Akira Kurosawa, 1985) – Criterion Collection
- Rashomon (Akira Kurosawa, 1950) – Criterion Collection
- Raw (Julia Ducournau, 2016)
- Ready Player One (Steven Spielberg, 2018)
- Realm of Fortune, The (Arturo Ripstein, 1986)
- Rear Window (Alfred Hitchcock, 1954)
- Rebels of the Neon God (Tsai Ming-liang, 1992)
- Record of a Tenement Gentleman (Yasujiro Ozu, 1947)
- Red Amnesia (Wang Xiaoshuai, 2014)
- Red Beard (Akira Kurosawa, 1965) – Criterion Collection
- Red Cliff (John Woo, 2008)
- Red Cliff II (John Woo, 2009)
- Red Dust (Yim Ho, 1990)
- Red Shoes, The (Michael Powell & Emeric Pressburger, 1948) – Criterion Collection
- Redacted (Brian De Palma, 2007)
- Remorques (Jean Gremillon, 1941) – Criterion Collection
- Rendezvous in Paris (Eric Rohmer, 1995)
- Repentance (Tengiz Abuladze, 1984)
- Reprise (Joachim Trier, 2006)
- Repulsion (Roman Polanski, 1965) – Criterion Collection
- Rescue, The (Elizabeth Chai Vasarhelyi & Jimmy Chin, 2021)
- Reservoir Dogs (Quentin Tarantino, 1992)
- Return of the Prodigal Son, The (Youssef Chahine, 1976)
- Return to Burma (Midi Z, 2011)
- Return to Dust (Li Ruijun, 2022)
- Return to Seoul (Davy Chou, 2022)
- Revolution of Our Times (Kiwi Chow, 2021)
- Revolutionary Road (Sam Mendes, 2008)
- Richard Jewell (Clint Eastwood, 2019)
- Riding Alone for Thousands of Miles (Zhang Yimou, 2005)
- Rise and Fall of a Small Film Company, The (Jean-Luc Godard, 1986)
- Rites of May, The (Mike De Leon, 1976)
- River, The (Jean Renoir, 1951) – Criterion Collection
- River, The (Tsai Ming-liang, 1997)
- River Called Titas, A (Ritwik Ghatak, 1973) – Criterion Collection
- R.M.N. (Cristian Mungiu, 2022)
- Road, The (John Hillcoat, 2009)
- Road to Mandalay, The (Midi Z, 2016)
- Robe of Gems (Natalia Lopez, 2022)
- Robin Hood (Ridley Scott, 2010)
- Robinson Crusoe (Luis Bunuel, 1954)
- RoboCop (Paul Verhoeven, 1987)
- Rolling Thunder Revue (Martin Scorsese, 2019) – Criterion Collection
- Roma (Alfonso Cuaron, 2018) – Criterion Collection
- Rome Open City (Roberto Rossellini, 1945) – Criterion Collection
- Rona, Azim’s Mother (Jamshid Mahmoudi, 2018)
- Roof, The (Vittorio De Sica, 1956)
- Rope (Alfred Hitchcock, 1948)
- Rosemary’s Baby (Roman Polanski, 1968) – Criterion Collection
- Rosetta (Jean-Pierre & Luc Dardenne, 1999) – Criterion Collection
- Rouge (Stanley Kwan, 1987) – Criterion Collection
- Royal Tenenbaums, The (Wes Anderson, 2001) – Criterion Collection
- Rumble Fish (Francis Ford Coppola, 1983) – Criterion Collection
- Rushmore (Wes Anderson, 1998) – Criterion Collection
- Rust and Bone (Jacques Audiard, 2012)