A man falls in love with the portrait of a lady but refuses to be romantically involved with the real person in this incredibly gorgeous Turkish film, though it does rely too much on repetition and fatalism to work.
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A man falls in love with the portrait of a lady but refuses to be romantically involved with the real person in this incredibly gorgeous Turkish film, though it does rely too much on repetition and fatalism to work.
One of Turkey’s most underrated directors reaches new filmmaking heights in this terrific slow-burn of a psychological thriller, set in a sweltering, water-scarce town in danger of imploding.
This beautifully-shot documentary is a visual tone poem, as filmmaker Elizabeth Lo tenderly captures several street dogs in Turkey, almost entirely from the ‘dog’s eye’ view.
Erdem’s new work may be borne out of filmmaking restrictions caused by the COVID-19 pandemic, but it finds pure comedy and pathos with an ingenious concept centering on a series of online interactions between naïve and conniving strangers.
A strong, poetic feature debut from a master-in-the-making, centering on two young children’s perspective of living in their home village, as the adults around them converse about the cruelty and misery of life.
This giddying Golden Berlin Bear winner by German-Turkish filmmaker Fatih Akin is uncompromising in its treatment of drug use, violence and sex—yet the potential for love, staged or otherwise, to redeem the most despairing of human beings seems ripe for the picking.
Continue reading →Its extraordinary locational cinematography occasionally threatens to overwhelm the narrative, but its elliptical approach reveals more depth than it appears to have.
Continue reading →Turkish master Ceylan continues his extraordinarily consistent form in this dialogue-heavy three-hour drama with echoes of ‘Winter Sleep’ and ‘Anatolia’.
Continue reading →Ceylan continues to explore the beauty and peril of human communication with aplomb in this long but ultimately fruitful cinematic sermon.
Continue reading →A slow-burning Antonioni-esque drama with not many words, and a largely effective evocation of the fragility of marriage and complexities of communication.