Among the masterpieces of Kurosawa, this one sits confidently at the very, very top, and is quite rightly one of the greatest films ever made of all-time.
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Ran (1985)
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Tag / Japan
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Ocean Waves (1993)
Perhaps unfairly regarded as a minor Ghibli, there’s something deeply charming about its portrayal of teenage infatuation and matters of the heart that are set against the context of high school life.
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Hiroshima mon amour (1959)
My favourite feature debut from the French New Wave—an extraordinary meditation on trauma, memory and love as Resnais merges the historical, geographical and the personal in an intelligent and sensuous way.
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Zatoichi’s Cane Sword (1967)
This 15th installment’s focus on drama and storytelling is noteworthy, building to one of the series’ finest action-packed climaxes.
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Red Beard (1965)
Kurosawa’s final collab with Mifune yields a near masterpiece about humanity that is beautiful, poetic and enlightening.
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High and Low (1963)
Kurosawa’s underrated gem of a masterpiece that is both an emotionally tense domestic drama, and a hot and sweaty police procedural.
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Sanjuro (1962)
A lighter if lesser effort by Kurosawa, but it is no less entertaining and darkly comic than its companion piece ‘Yojimbo’ (1961).
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Throne of Blood (1957)
Kurosawa’s Noh-influenced take on ‘Macbeth’ is elemental, engrossing and one of the greatest screen adaptations of Shakespeare.
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I Live in Fear (1955)
One of Kurosawa’s lesser urban dramas that deals with the trauma and anxiety of nuclear annihilation through the eyes of a paranoid old patriarch.
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Seven Samurai (1954)
Kurosawa’s magnum opus is a glorious triumph and the standard-bearer for bravura epic filmmaking, still yet to be surpassed.
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