Strickland explores sound in film in tantalising new ways in this modern cult psychological horror about a British sound engineer hired to work on Italian giallo, who discovers something sinister behind-the-scenes.
It may seem formal and stately in its visual and narrative posturing, but this splendid Merchant-Ivory production achieves a rare sense of intimacy and grace as it tells a story of connections and consternations across different social classes.
An excellent Charlotte Rampling plays one half of a couple who have been together for more than four decades as they face a marital crisis that might prove to be insurmountable in Haigh’s delicate take on the meaning of love as refracted by secrets from the distant past.
One man doesn’t want to be friends with another man anymore in McDonagh’s beautifully-shot and darkly humourous film that boasts a sharp script and even sharper acting by the wonderful cast.
Hogg’s debut feature is an enriching experience, almost Rohmer-esque in its focus on the bourgeois and their conversations as a middle-aged British woman in an unhappy marriage joins a friend’s family for a vacation in Tuscany.
Shot largely like a silent film, yet it is also Hitchcock’s first ‘talkie’, this curious early work of murder and intimidation could have been sharper if it had been shorter and tauter.
A brave broadcast journalist warns of widespread nationalistic propaganda on television news in this powerful indictment of the sorry state of media and hate politics in India.
Morally dubious yet perversely funny, this is one of the most outstanding black comedies produced by the Ealing Studios as one outsider with a royal lineage seeks to eliminate all that stand ahead of him in the line of succession.
Glazer’s stylish feature debut is quite sensational—a hilariously tense showdown between a laidback Ray Winstone and a foul-mouthed Ben Kingsley, the latter hoping to recruit the former, a ‘retired’ safecracker, for a final heist.
The great 17th-century Italian painter is given the screen treatment in Jarman’s idiosyncratic, if at times anachronistic, deconstruction of a brilliant but tormented figure, featuring an indelible supporting performance by Tilda Swinton in her acting debut.
Eternality Tan 