Hogg’s debut feature is an enriching experience, almost Rohmer-esque in its focus on the bourgeois and their conversations as a middle-aged British woman in an unhappy marriage joins a friend’s family for a vacation in Tuscany.
Shot largely like a silent film, yet it is also Hitchcock’s first ‘talkie’, this curious early work of murder and intimidation could have been sharper if it had been shorter and tauter.
A brave broadcast journalist warns of widespread nationalistic propaganda on television news in this powerful indictment of the sorry state of media and hate politics in India.
Morally dubious yet perversely funny, this is one of the most outstanding black comedies produced by the Ealing Studios as one outsider with a royal lineage seeks to eliminate all that stand ahead of him in the line of succession.
Glazer’s stylish feature debut is quite sensational—a hilariously tense showdown between a laidback Ray Winstone and a foul-mouthed Ben Kingsley, the latter hoping to recruit the former, a ‘retired’ safecracker, for a final heist.
The great 17th-century Italian painter is given the screen treatment in Jarman’s idiosyncratic, if at times anachronistic, deconstruction of a brilliant but tormented figure, featuring an indelible supporting performance by Tilda Swinton in her acting debut.
This is one of 2022’s finest films and an extraordinary feature debut—as far as stories about father-daughter relationships are concerned, this incredibly nuanced drama finds that rare pitch-perfect tone of joy and melancholy that must be savoured.
The picture that destroyed Powell’s career, this disturbing work about a serial killer who perversely films his victims as they die is now regarded as a major influence on the modern slasher movie, and a provocative exploration of the ills of scopophilia.
Ridley Scott directs a rare crime-comedy in this sentimental flick starring an underrated Nicolas Cage as a germophobic con artist who must contend with the unexpected appearance of his long-lost daughter.
An explosives expert must fight a personal battle with alcoholism in this minor WWII effort from Powell and Pressburger, which features one of the most suspenseful bomb disarmament scenes in early black-and-white cinema.
Eternality Tan 