One might disengage with its paganistic and hedonistic excess, but Fellini’s visionary work loosely based on Petronius’ Roman satire is a one-of-a-kind aural-visual extravaganza.
Continue reading →
Fellini Satyricon (1969)
Continue reading →
Category / Criterion Collection
Continue reading →
39 Steps, The (1935)
Dated and unexpectedly dull, this early Hitchcock effort is a true disappointment.
Continue reading →
Adventures of Zatoichi (1964)
The theme of the ‘father figure’ dictates the narrative of this decent 9th instalment of the ‘Zatoichi’ series.
Continue reading →
Mystery Train (1989)
An essential early work of Jarmusch, this is a cinematic hymn to Memphis city’s rich musical history, filmed as a connecting triptych of oddball characters of various nationalities over the course of one day and night in this ‘ghost town’.
Continue reading →
Fight, Zatoichi, Fight (1964)
This 8th instalment is one of the series’ best—and different too—with director Kenji Misumi fashioning a slower-paced tale about Zatoichi’s longing for fatherhood.
Continue reading →
Memories of Underdevelopment (1968)
Alea’s groundbreaking Cuban film may not be powerfully visceral, but its radical ‘docu-fiction’ style does encourage deep contemplation of the personal in relation to the political.
Continue reading →
Zatoichi’s Flashing Sword (1964)
The franchise’s 7th movie is its first true disappointment with a middling story, low stakes and a weak villain.
Continue reading →
Amarcord (1973)
This beautiful ode to the colourful and warm life of ’30s Italy is as culturally rich and free-spirited as Fellini has ever done.
Continue reading →
Bridge, The (1959)
This powerful and tragic German anti-war film pits a group of drafted schoolboys-turned-inexperienced-soldiers against the advancing Americans as WWII draws to a close.
Continue reading →
8½ (1963)
Fellini’s mastery of form and style is there for all to revel in this autobiographical film about the psychological crisis of a film director.
Continue reading →
