Tarkovsky’s penultimate feature (stunningly shot in rural Italy during a self-imposed exile) might be his most ponderous work, yet it could also be his sharpest take on faith.
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Nostalghia (1983)
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Tag / 1983
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Three Crowns of the Sailor (1983)
Ruiz’s stylish, surreal visual style here is breathtaking at times, but the film is challenging to get into because of its nebulous storytelling.
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Mandi (1983)
Lengthy but still an entertaining piece centering on a bordello and its ragtag of vibrant characters as Shyam Benegal balances humour and serious women issues with skill.
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Pauline at the Beach (1983)
Rohmer plays an elaborate, frolicky game of relationship misunderstandings and coverups in his third ‘Comedies & Proverbs’ series, as most of the characters try to make sense—with sheer incompetence—what the meaning of love is.
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Life Is a Bed of Roses (1983)
Resnais’ tonally-jarring ‘musical-drama’ that intercuts across three timelines feels too artificially-constructed and incoherent to make any meaningful sense.
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Rumble Fish (1983)
A feverish attempt at exploring the nature of wasted youth with strong visual and aural stylings that can’t quite hide its meandering narrative.
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Ballad of Narayama, The (1983)
Continue reading →An uncompromising adaptation of a beloved tale where Imamura manages to find moments of poetry amid the brutality, carnal desires and existential torment.
First Name: Carmen (1983)
Continue reading →Godard’s Venice Golden Lion winner doesn’t quite work narratively, but its fragmentary melding of music, sound design and images is an interesting experiment.
Boys from Fengkuei, The (1983)
Continue reading →Hou Hsao-Hsien’s coming-of-age drama shows the hard-hitting reality of surviving in 1980s Taiwan, yet resonates as an evocation of a time passed.
Eternality Tan 