The last of Rohmer’s ‘Comedies & Proverbs’ series is a gratifying watch on what it means to fall in love—or break up—with friends and lovers. 

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Probably the finest of Rohmer’s ‘Comedies & Proverbs’ series—a sublime, psychologically rich work about the emotional struggles to be open to romantic relationships yet it is also about being free and finding thyself. 

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A young woman tests the limits of her romantic relationship by concurrently experimenting with being ‘single’ in one of Rohmer’s bleaker offerings on the existential nature of love. 

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Rohmer plays an elaborate, frolicky game of relationship misunderstandings and coverups in his third ‘Comedies & Proverbs’ series, as most of the characters try to make sense—with sheer incompetence—what the meaning of love is.   

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Rohmer’s second ‘Comedies & Proverbs’ film is one of his more straightforward affairs as it dissects with nuance why some people are obsessed with marriage, while others are simply disinterested.

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The film’s unconventional narrative structure and free-flowing dialogue stand out as Rohmer effortlessly delivers a relationship-spying story in the guise of a romantic comedy.

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The romantic complications of a young man and three women are laid bare in this naturalistic and minimalist entry from Rohmer’s ‘Tale of the Four Seasons’ series.

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