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Eternality Tan

Hailing from Singapore & writing about cinema since 2007

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Featured

As You Were (2014)

January 23, 2023January 25, 2023 by Eternality Tan

Babylon (2022)

January 21, 2023January 22, 2023 by Eternality Tan

Never Gonna Snow Again (2020)

January 19, 2023January 19, 2023 by Eternality Tan

Sans Soleil (1983)

January 18, 2023January 18, 2023 by Eternality Tan

Bellissima (1951)

January 15, 2023 by Eternality Tan

Martin Eden (2019)

January 12, 2023January 12, 2023 by Eternality Tan

Glass Onion (2022)

January 11, 2023 by Eternality Tan

Golden Globes 2023 Prediction

January 9, 2023January 11, 2023 by Eternality Tan

Cure (1997)

January 8, 2023 by Eternality Tan

Subtraction (2022)

January 7, 2023 by Eternality Tan

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Tag / 1969

August 30, 2022 by Eternality Tan

Woman with the Knife, The (1969)

  • Others
  • 1969, Ivory Coast
  • Leave a comment

A somewhat underwhelming and ponderous psychological drama about a female knife-wielding spectre that haunts a European-influenced African who struggles with romantic relationships in his return to his home country.

⭐⭐⭐

Rating: 3 out of 5.

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May 26, 2022 by Eternality Tan

Pigsty (1969)

  • Pasolini, Pier Paolo
  • 1969, Italy, Pier Paolo Pasolini
  • Leave a comment

This could be Pasolini’s most oblique work—a diptych that examines the nature of latent fascism and fetishistic consumption through the symbolism of cannibalism and the erasure of bodily traces.

⭐⭐⭐⭐

Rating: 3.5 out of 5.

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February 6, 2022February 7, 2022 by Eternality Tan

Bhuvan Shome (1969)

  • Sen, Mrinal
  • 1969, India, Mrinal Sen
  • Leave a comment

As zany a film you can find in Indian Parallel Cinema, Sen’s work about an uncompassionate city bureaucrat who goes on a perspective-changing hunting trip is highly-expressive in form and film language. 

⭐⭐⭐⭐

Rating: 3.5 out of 5.

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October 16, 2021December 11, 2021 by Eternality Tan

Land, The (1969)

  • Chahine, Youssef
  • 1969, Egypt, Youssef Chahine
  • Leave a comment

This is feisty if sometimes way too melodramatic filmmaking from Chahine as he pits poor and frustrated peasants against the rising tide of self-serving capitalism.

⭐⭐⭐⭐

Rating: 3.5 out of 5.

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April 9, 2021August 24, 2021 by Eternality Tan

Binding Sentiments (1969)

  • Meszaros, Marta
  • 1969, Hungary, Marta Meszaros
  • 2 Comments

A recently-widowed mother who yearns to be independent and her overprotective son cross paths in what is a slightly nondescript second feature from Meszaros about the perceived strengths and weaknesses of familial bonds.

⭐⭐⭐⭐

Rating: 3.5 out of 5.

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January 24, 2021July 4, 2022 by Eternality Tan

Color of Pomegranates, The (1969)

  • Criterion Collection, Parajanov, Sergei
  • 1969, Armenia, Sergei Parajanov, Soviet Union
  • 3 Comments

As fascinating as it is arcane, this visually and aurally arresting work from Armenia defeats categorization, but is indescribably hypnotic. 

⭐⭐⭐⭐

Rating: 4 out of 5.

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December 27, 2020December 27, 2020 by Eternality Tan

Invasion (1969)

  • Others
  • 1969, Argentina, Hugo Santiago
  • Leave a comment

This rarely-seen Argentinian feature debut by Hugo Santiago is an unclassifiable eye-opener—a political ‘sci-fi’ piece with cool Melville crime-thriller vibes.

⭐⭐⭐⭐

Rating: 4 out of 5.

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July 8, 2020August 15, 2021 by Eternality Tan

Fellini Satyricon (1969)

  • Criterion Collection, Fellini, Federico
  • 1969, Federico Fellini
  • 3 Comments

One might disengage with its paganistic and hedonistic excess, but Fellini’s visionary work loosely based on Petronius’ Roman satire is a one-of-a-kind aural-visual extravaganza. 

⭐⭐⭐

Rating: 3 out of 5.

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November 12, 2019June 2, 2021 by Eternality Tan

Funeral Parade of Roses (1969)

  • Others
  • 1969, Japan
  • Leave a comment

This is free-form, counter-cultural Japanese cinema at its astonishing best—playful, powerful and brutal all in the same breath.

⭐⭐⭐⭐⭐

Rating: 5 out of 5.
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July 15, 2019August 9, 2020 by Eternality Tan

Katzelmacher (1969)

  • Criterion Collection, Fassbinder, Rainer Werner
  • 1969, Rainer Werner Fassbinder, West Germany
  • Leave a comment

Fassbinder’s second feature continues his minimalist and spare direction, this time centering on a group of xenophobic, good-for-nothing friends.

⭐⭐⭐⭐

Rating: 3.5 out of 5.
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