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Eternality Tan

Hailing from Singapore & writing about cinema since 2007

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Featured

Peeping Tom (1960)

August 16, 2022 by Eternality Tan

Collateral (2004)

August 15, 2022 by Eternality Tan

Ace in the Hole (1951)

August 14, 2022 by Eternality Tan

Lady Without Camelias, The (1953)

August 10, 2022 by Eternality Tan

Carabiniers, Les (1963)

August 8, 2022 by Eternality Tan

Hand, The (2004)

August 6, 2022August 6, 2022 by Eternality Tan

Blood Diamond (2006)

August 5, 2022 by Eternality Tan

Breadwinner, The (2017)

August 2, 2022August 2, 2022 by Eternality Tan

Nun, The (1966)

July 31, 2022July 31, 2022 by Eternality Tan

Matchstick Men (2003)

July 30, 2022 by Eternality Tan

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Tag / Hong, Sang-soo

March 29, 2022March 29, 2022 by Eternality Tan

Novelist’s Film, The (2022)

  • Hong, Sang-soo
  • 2022, Hong, Sang-soo, South Korea
  • 1 Comment

Rather underwhelming and at best a minor effort, Hong’s latest explores the nature of being an artist, be it writing, filming or performing, while also functioning as a genteel love letter to his star and muse Kim Min-hee. 

⭐⭐⭐

Rating: 3 out of 5.

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March 16, 2022 by Eternality Tan

Hahaha (2010)

  • Hong, Sang-soo
  • 2010, Hong, Sang-soo, South Korea
  • Leave a comment

One of Hong’s longest films but certainly one of his finest as two friends share over drinks the bittersweet details of their own separate trips to the seaside town of Tongyeong, as the uncertainties of love and conflict control the narrativisation of their memories.

⭐⭐⭐⭐

Rating: 4 out of 5.

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February 25, 2022March 29, 2022 by Eternality Tan

In Front of Your Face (2021)

  • Hong, Sang-soo
  • 2021, Hong, Sang-soo, South Korea
  • 1 Comment

Structured like a diptych, Hong’s work here is more meditative than usual as his protagonist tries to find the grace and psychological clarity that have eluded her all her life.

⭐⭐⭐⭐

Rating: 3.5 out of 5.

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July 31, 2020March 18, 2022 by Eternality Tan

Woman Who Ran, The (2020)

  • Hong, Sang-soo
  • 2020, Hong, Sang-soo, South Korea
  • Leave a comment

A minor work from Hong, though this time he shifts his primary focus to women-centered conversations which act as a collective bubble that shields them from the annoying intrusions of men. 

⭐⭐⭐⭐

Rating: 3.5 out of 5.

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February 16, 2019July 22, 2020 by Eternality Tan

Woman Is the Future of Man (2004)

  • Hong, Sang-soo
  • 2004, Hong, Sang-soo, South Korea
  • Leave a comment

Hong’s fifth feature is all about seeing what lies beneath the surface: life is empty and unfulfilling, but his film lets us peel the layers to reach into something deeper—and something elusive.

⭐⭐⭐⭐

Rating: 4 out of 5.
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February 16, 2019July 22, 2020 by Eternality Tan

In Another Country (2012)

  • Hong, Sang-soo
  • 2012, Hong, Sang-soo, South Korea
  • 1 Comment

Hong’s work about love, lust and life is hilarious and oddly touching insofar as one finds an English-speaking Isabelle Huppert trying to communicate with awkward Korean men funny.

⭐⭐⭐⭐

Rating: 3.5 out of 5.
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February 5, 2019July 22, 2020 by Eternality Tan

Hill of Freedom (2014)

  • Hong, Sang-soo
  • 2014, Hong, Sang-soo, South Korea
  • 2 Comments

A light-hearted, even breezy drama centering on two lovers, told in random fragments by South Korean auteur Hong Sang-soo.

⭐⭐⭐⭐

Rating: 3.5 out of 5.
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February 5, 2019July 22, 2020 by Eternality Tan

Yourself and Yours (2016)

  • Hong, Sang-soo
  • 2016, Hong, Sang-soo, South Korea
  • 1 Comment

Another light and whimsical entry into the Hong Sang-soo canon, and as usual, musing on the intricacies of romantic relationships.

⭐⭐⭐⭐

Rating: 3.5 out of 5.
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February 3, 2019July 22, 2020 by Eternality Tan

Hotel by the River (2018)

  • Hong, Sang-soo
  • 2018, Hong, Sang-soo, South Korea
  • Leave a comment

A more melancholic work by Hong than usual, shot in beautiful black-and-white.

⭐⭐⭐⭐

Rating: 3.5 out of 5.
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February 3, 2019July 22, 2020 by Eternality Tan

On the Beach at Night Alone (2017)

  • Hong, Sang-soo
  • 2017, Germany, Hong, Sang-soo, South Korea
  • 2 Comments

In the context of Hong Sang-soo’s extramarital affair with actress Kim Min-hee, the work holds more resonance and significance than its delicate and melancholic style would suggest.

⭐⭐⭐⭐

Rating: 3.5 out of 5.
Continue reading →

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