Spielberg’s polished, but rather underwhelming workmanlike by-the-numbers tale of his formative years as a child and teenager chronicles the tension between family disputes and his passion for filmmaking.
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Spielberg’s polished, but rather underwhelming workmanlike by-the-numbers tale of his formative years as a child and teenager chronicles the tension between family disputes and his passion for filmmaking.
This may be minor Spielberg, but its wholeheartedness makes it worth the trip to the JFK airport in New York where an Eastern European man is stuck without citizenship, played with earnest charm by Tom Hanks.
Spielberg’s biopic about one of America’s most notoriously successful conmen might seem like a breezy affair with largely captivating performances by Leonardo DiCaprio, Tom Hanks and Christopher Walken, but it does overstay its welcome at some point.
Spielberg, in his first-ever musical, hits it out of the park with this dynamic and compelling remake of the 1961 original, featuring a revelatory performance by Rachel Zegler.
One of the greatest war movies ever made, Spielberg’s visceral and immersive approach and the film’s strong technical prowess continue to amaze more than two decades on.
Don’t think too much—this is Spielberg channeling his geeky gamer self, and darn, it is enjoyable.
Spielberg’s journalistic procedural is a masterclass in supple filmmaking that is equally at ease portraying nuance as well as galvanising action.
Spielberg the fabulist meets Roald Dahl’s prose in this light-hearted, old-school tale that is somewhat an inconsequential entry in the director’s illustrious filmography.
Polished and generally solid, this Cold War movie would rank as one of Spielberg’s good-but-not-great pictures.
Another commanding performance by Daniel Day-Lewis lifts this uncharacteristically slow-paced and talky Spielberg film from being too self-absorbed in its historical importance.