Some may find this terribly mawkish, but Spielberg is still the undisputed master of emotional manipulation, and I say this with gratitude, because it reminds me of the magic of moviemaking.
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Some may find this terribly mawkish, but Spielberg is still the undisputed master of emotional manipulation, and I say this with gratitude, because it reminds me of the magic of moviemaking.
Spielberg’s first animated feature is ‘Indiana Jones’ meets ‘Pirates of the Caribbean’ in one of the year’s most entertaining movies.
The continuation of one of popular cinema’s enduring franchises is also one of Steven Spielberg’s rare misfires.
This underrated Philip K. Dick adaptation is an absolute sci-fi gem by Spielberg and a legitimate contender for the most entertaining, cerebral sci-fi thriller of the 2000s decade.
Spielberg’s warm touch of sentimentality is obvious if reassuring in this sci-fi project that Kubrick was working on before his untimely passing.
Spielberg’s strong morality tale against greed is as spectacular as it is funny – my favourite of the Indiana Jones films.
Has its moments of awe-inspiring grandeur, but the film is unable to sustain in its final act despite Spielberg’s assured direction.
Spielberg’s overdrawn drama is a safe if underwhelming adaptation of Alice Walker’s landmark novel.