The continuation of one of popular cinema’s enduring franchises is also one of Steven Spielberg’s rare misfires.
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Kingdom of the Crystal Skull, The (2008)
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Category / Popular
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Jurassic Park (1993)
Last Crusade, The (1989)
Spielberg’s strong morality tale against greed is as spectacular as it is funny – my favourite of the Indiana Jones films.
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Matrix, The (1999)
A landmark ‘90s sci-fi masterpiece with that rare combo of style and substance—two decades later, it loses none of its sobering philosophical inquiry.
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Soul (2020)
It doesn’t always cohere with a creative concept that sometimes overreaches, but this is Pixar at its most existential, exploring the meaning of life at the crossroads of passion, purpose and living.
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Inside Out (2015)
Up (2009)
Pixar matures considerably with this delightful offering, despite an unimposing villain and a climax that feels too rushed.
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Monsters, Inc. (2001)
One of Pixar’s best efforts, and still one of their most conceptually imaginative pictures to date.
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Wonder Woman 1984 (2020)
Not as inspiring or thrilling as the first movie, this largely serviceable sequel has some interesting ideas that take too long to unpack and could benefit from a tighter edit.
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Wonder Woman (2017)
The film’s radical nature hides within its safe, formulaic underpinnings in what is DC’s finest superhero movie since Nolan’s ‘The Dark Knight’ trilogy.
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