Probably a stretch to say that this is Malick meets Marvel, but Chloe Zhao delivers something different—a slower-paced, exposition-heavy actioner about creationism, existence and the ties that bind superheroes to their humanity.
A rather bloated effort despite the generous and intense servings of action, this is a half-decent final outing for Daniel Craig’s Bond.
The continuation of one of popular cinema’s enduring franchises is also one of Steven Spielberg’s rare misfires.
Spielberg’s strong morality tale against greed is as spectacular as it is funny – my favourite of the Indiana Jones films.
A landmark ‘90s sci-fi masterpiece with that rare combo of style and substance—two decades later, it loses none of its sobering philosophical inquiry.
It doesn’t always cohere with a creative concept that sometimes overreaches, but this is Pixar at its most existential, exploring the meaning of life at the crossroads of passion, purpose and living.
Pixar matures considerably with this delightful offering, despite an unimposing villain and a climax that feels too rushed.
One of Pixar’s best efforts, and still one of their most conceptually imaginative pictures to date.
Eternality Tan 