A minor work from Hong, though this time he shifts his primary focus to women-centered conversations which act as a collective bubble that shields them from the annoying intrusions of men.
Art, crime and the human condition intersect deftly in this beguiling documentary about the unlikely friendship between a painter and the thief who stole her paintings.
Part of the massive if controversial ‘DAU’ project, this entry is backed by bold performances by its two actresses even if the film doesn’t quite achieve true power through provocation.
An interesting mess of ideas, genres and styles, Spike Lee’s lengthy new joint is effective when it is polemical, but the main message about how we could draw urgent relevancy from the contemporary Black Lives Matter movement in relation to the painful lessons of the Vietnam War gets muddled in the film’s excesses.
Cronenberg Jr’s second feature sees him tackle techno-existential sci-fi with more assurance (but also with more narrative convolution) in this gory tale involving mind-controlled assassinations.
Pepe the Frog gets unceremoniously thrown into the US sociopolitical mixer in this insightful documentary about the pervasiveness of memes, perils of Internet culture and one man’s—creator Matt Furie—angst toward all that is wrong with American society.
A docu-fiction that may not be as fully-formed as Tsai’s previous films, but still feels somewhat rewarding if you surrender to its modulated slow cinema style.
Intercutting archival footage from state-controlled television with Brechtian style enactments, Radu Jude’s indictment of 1980s Communist Romania will test the patience of even the most hardened experimental-arthouse cineaste.
The psychological and hallucinatory strains of war befall a young Portuguese soldier lost in the jungles of Mozambique in WWI.
An easy-going Thai movie about the need to let go of the past that gets the balance between comedy and serious drama just about right.
