A young woman gets married but her authoritarian father refuses to let her out of his sight in this grim and unnerving domestic drama with elements of horror, directed with vehemence by the great Mike De Leon.
This acidic, darkly comic French neo-western adapted from Jim Thompson’s Texas-set novel, but brilliantly transposed to West Africa, is one of Tavernier’s greatest accomplishments.
A light-hearted Taiwanese romance starring Feng Fei Fei that sees Hou dabbling in commercial genre cinema early on in his career—there’s little in the way of depth but it is still moderately entertaining.
Smoke from coal ovens is a recurrent visual motif of class struggle in Sen’s excellent take on the material poverty of Calcutta’s poor, sprinkled with bouts of indelible dreamlike scenes.
Sen at his thought-provoking best, this highly-layered meta-filmic behind-the-scenes drama sees a film crew enter a poor village to make a movie about the 1943 Bengal famine, only to find it increasingly difficult to engage with the people, traditions, history and filmmaking itself.
Rivette’s quaint adventure featuring two women—one an ex-con, the other a vagabond—navigating the streets of Paris is a freewheeling if also meandering look at how crime is a game of chance and consequence.
You gotta love De Palma – Blow Out is a twisted and suspenseful mystery, and also a clever if devilish testament to the art of moviemaking.
The film’s unconventional narrative structure and free-flowing dialogue stand out as Rohmer effortlessly delivers a relationship-spying story in the guise of a romantic comedy.
This less celebrated entry in Fassbinder’s BRD trilogy is a biting take on capitalism and the commodification of the body as postwar Germany rebuilds.
Arguably the most iconic and memorable action-adventure film ever made and a textbook example of how Hollywood filmmaking can go so right.
Eternality Tan 