PTA’s indelible 1970s romance between a teenage boy and an older woman (Cooper Hoffman and Alana Haim are sensational) is akin to a cinematic relaxant, suffused with good, nostalgic vibes yet there’s enough of a slight overdose of unpredictability and peril to last the course.
A stunning return to form by Ridley Scott, who revived the swords-and-sandals movie in the 2000s.
One of Ridley Scott’s most unabashed and unforgettable of entertainments—a road movie that’s never about the end of the road.
The philosophising of Malick meets the ephemeral beauty of nature in this imperfect shortened IMAX version that shows how the Universe first started, and subsequently life on Earth.
Spielberg, in his first-ever musical, hits it out of the park with this dynamic and compelling remake of the 1961 original, featuring a revelatory performance by Rachel Zegler.
Although not exactly emotionally resonant, Joel Coen’s adaptation of one of Shakespeare’s seminal texts is as dark and brooding as they come, a unique balance of theatrical artifice and cinematic vision.
Two decades on, this Oscar-winning, Cannes Palme d’Or-nominated (!) animated delight remains as energetic, refreshing and meaningful as ever.
Scott’s work is an odd beast of melodramatic excesses—a largely lumbering biopic yet cold and campy enough to just about work as an unintended ‘tragicomedy’.
One of the greatest sci-fi films ever made, this is a masterpiece of mood setting, existential themes and unforgettable images.
This is the worst ‘Matrix’ by miles—a tediously talky, muddled mess of meta-recursive ideas that dilutes the mythology that made the trilogy, flawed as it may be, such a blast.
Eternality Tan 