There’s a lot of filmmaking artistry to appreciate, and so is the sizzling chemistry between Tony Leung and Zhang Ziyi in this follow-up to In the Mood for Love (2000).
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2046 (2004)
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Tag / 2004
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Life Aquatic with Steve Zissou, The (2004)
Slightly overlong and its offbeat humour doesn’t always work, but this is one of Wes Anderson’s most strangely enigmatic of screen adventures.
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Face You Deserve, The (2004)
An artistic attempt at expressing and exorcising the ghosts of childishness in adulthood, but Gomes’ feature debut left me cold and unbothered.
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House of Flying Daggers (2004)
Zhang Yimou’s best film of the 2000s decade, this is a drama-cum-tragedy that is never uncomfortable to reveal its sentimentalism amid stunning action set-pieces.
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Head-On (2004)
This giddying Golden Berlin Bear winner by German-Turkish filmmaker Fatih Akin is uncompromising in its treatment of drug use, violence and sex—yet the potential for love, staged or otherwise, to redeem the most despairing of human beings seems ripe for the picking.
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Marseille (2004)
A German woman temporarily moves from Berlin to Marseille in this enigmatic work by a unique filmmaker largely in tune with the unfathomable ennui of her characters.
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Aviator, The (2004)
It might run a little too long and may not always compel, but Scorsese’s biopic features an excellent performance by DiCaprio and a stunning level of period detail.
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Place Promised in Our Early Days, The (2004)
In his beautiful if sometimes convoluted first feature, Makoto Shinkai shows the early rumblings of an artist who would become a first-rate anime director.
Mysterious Skin (2004)
Continue reading →A high point in Gregg Araki’s inconsistent career that tackles a taboo subject matter whilst balancing its dreamy filmmaking style with raw fervour.
Bourne Supremacy, The (2004)
A solid second installment to the Bourne franchise that is a showcase of Paul Greengrass’ talent as a skilled action-suspense filmmaker.
