Told in five chapters in reverse chronological order, Ozon charts the disintegration of a marriage in this well-acted bittersweet film.
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5×2 (2004)
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Tag / 2004
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Tropical Malady (2004)
Bewildering yet contemplative in true Apichatpong Weerasethakul style, this is a challenging work of art.
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2046 (2004)
There’s a lot of filmmaking artistry to appreciate, and so is the sizzling chemistry between Tony Leung and Zhang Ziyi in this follow-up to In the Mood for Love (2000).
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Life Aquatic with Steve Zissou, The (2004)
Slightly overlong and its offbeat humour doesn’t always work, but this is one of Wes Anderson’s most strangely enigmatic of screen adventures.
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Face You Deserve, The (2004)
An artistic attempt at expressing and exorcising the ghosts of childishness in adulthood, but Gomes’ feature debut left me cold and unbothered.
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House of Flying Daggers (2004)
Zhang Yimou’s best film of the 2000s decade, this is a drama-cum-tragedy that is never uncomfortable to reveal its sentimentalism amid stunning action set-pieces.
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Head-On (2004)
This giddying Golden Berlin Bear winner by German-Turkish filmmaker Fatih Akin is uncompromising in its treatment of drug use, violence and sex—yet the potential for love, staged or otherwise, to redeem the most despairing of human beings seems ripe for the picking.
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Marseille (2004)
A German woman temporarily moves from Berlin to Marseille in this enigmatic work by a unique filmmaker largely in tune with the unfathomable ennui of her characters.
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Aviator, The (2004)
It might run a little too long and may not always compel, but Scorsese’s biopic features an excellent performance by DiCaprio and a stunning level of period detail.
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Place Promised in Our Early Days, The (2004)
In his beautiful if sometimes convoluted first feature, Makoto Shinkai shows the early rumblings of an artist who would become a first-rate anime director.
Eternality Tan 