Perverse and provocative yet bland and uneven, Ostlund’s low-fi debut feature is at best a curiosity, a Roy Andersson-meets-Ulrich Seidl series of docu-fictive vignettes.

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High society is taken apart with a ruthless hand in Ostlund’s new Cannes Palme d’Or-winning dark comedy that doesn’t always hit the mark but is nevertheless effective in fulfilling its social commentary aims.

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