Generally solid if slightly overlong Muhammad Ali biopic with an underrated performance from Will Smith—it doesn’t push the envelope for the boxing genre, but Mann delivers the fundamentals right.
Spielberg’s warm touch of sentimentality is obvious if reassuring in this sci-fi project that Kubrick was working on before his untimely passing.
Possibly the finest and most fully-realised of his early works, Wes Anderson tells a quirky story about a family full of eccentric, estranged members looking for some measure of redemption and reconciliation.
Haneke’s shocking work daringly dissects the nature of love, sexual desire, sadomasochism and power with a fierce intelligence that is matched only by arguably Isabelle Huppert’s finest ever performance.
Arguably David Lynch’s magnum opus, this is the cinematic equivalent of the ultimate Rubik’s cube – mysterious, unsolvable, haunting and a psycho-emotionally shattering experience.
One of Pixar’s best efforts, and still one of their most conceptually imaginative pictures to date.
An ethnographic documentary on the Warli tribe in India, who are isolated from the modern world, as Amit Dutta captures their daily lives, rituals and myths with a keen observational eye.
Schanelec skilfully captures the ebb and flow of conversations between family, friends and lovers in this slow-moving drama about a woman’s discontentment.
Continue reading →A road trip across Mexico, oozing with eroticism and the joys and agonies of living, in what is Cuaron’s most liberating picture to date.
