Kieslowski juxtaposes empathy with morality in this powerful film – as essential a watch as any in cinema on the nature of killing, government-sanctioned or otherwise.
Tag / Krzysztof Kieslowski
Three Colors: Red (1994)
Kieslowski’s final film brilliantly questions the nature of privacy, fate and guilt in this probing tale of morality and choices.
Three Colors: Blue (1993)
A psychological and musical treatise on personal grief by the great Kieslowski, by turns imaginative and humanistic.
Dekalog: One (1988)
Belief systems—namely science and faith—meet at the crossroads in this powerful and devastating first episode of ‘Dekalog’.
Dekalog: Two (1988)
A tale centering on fate and morality involving a doctor, a woman and her severely ill husband, in this ambiguously-layered second episode of ‘Dekalog’.
Dekalog: Three (1988)
The third episode of ‘Dekalog’ is good but not great, and doesn’t resonate as powerfully as the first two.
Dekalog: Four (1988)
The philosophy that life sometimes unfolds for the better when there’s psychological ambiguity over emotional clarity is explored with a light Freudian touch in this fourth episode of ‘Dekalog’.
Dekalog: Five (1988)
A powerful emotional and moral examination of the irrationality of a killer’s actions and the consequent state-sanctioned murder, shot in a haunting vignette effect visual style.
Dekalog: Six (1988)
One of the standout episodes of ‘Dekalog’, the sixth film explores love and sex through a voyeuristic setup, but not without a potent sense of emotion and human connection.
Dekalog: Seven (1988)
Rightful motherhood and theft of child are themes in this kidnapping family drama that illuminates the desire for emotional connection and closure.
