A man descends into madness when he suspects his wife is cheating on him in Chabrol’s decent exercise in the distortion of psychological realities.
Continue reading →
A man descends into madness when he suspects his wife is cheating on him in Chabrol’s decent exercise in the distortion of psychological realities.
Wong’s influential international breakthrough is fascinating, but it is not always well-paced.
Kiarostami closes his wondrous ‘Koker’ trilogy with an even more multi-layered, meta-cinematic experiment in the guise of a love story.
A tad long and sometimes incoherent in its thematic direction, but this eco-tale of shape-shifting raccoons could be Takahata’s most creative and fantastical effort.
This ‘90s adaptation of Louisa May Alcott’s famous novel may be traditionally told, but it is perfectly cast and remains possibly the most endearing of them all.
Zhang Yimou’s greatest achievement comes in the form of this intimate and emotionally devastating through-the-decades account of one Chinese family’s tumultuous existence through the momentous times of the Cultural Revolution.
Tsai’s Venice Golden Lion-winning second feature may be sparse and silent, but it remains to be one of the deepest portrayals of existential loneliness in the director’s singular filmography.
One of the greatest of all animated films, “The Lion King” retains its power to compel, and packs an emotional wallop so strong it brings both sad and happy tears to one’s eyes.
Kieslowski’s final film brilliantly questions the nature of privacy, fate and guilt in this probing tale of morality and choices.
Danny Boyle’s dynamic first feature is a psychological thriller that is fun, morbid, and keeps you on your toes.