A man is accused of being a paedophilic killer in Chabrol’s effortlessly-mounted small-town crime mystery, shot with breezy naturalism by the acclaimed cinematographer Eduardo Serra.
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A man is accused of being a paedophilic killer in Chabrol’s effortlessly-mounted small-town crime mystery, shot with breezy naturalism by the acclaimed cinematographer Eduardo Serra.
A man descends into madness when he suspects his wife is cheating on him in Chabrol’s decent exercise in the distortion of psychological realities.
This rarely-seen work by Chabrol is a major accomplishment, set in a Nazi-occupied French town about the courage and deception tactics of French civilians as they support the resistance in secret.
Chabrol was no stranger to Hitchcockian mystery-dramas and this is one of his better outings centering on the masks that people wear to hide their true selves.
A brilliant Isabelle Huppert headlines Chabrol’s true-story WWII drama about French women who had to deal with illegal abortion and prostitution, while bearing the brunt of legal and moral injustices.
Small-time scammers bite off more than they can chew in Chabrol’s rather uneven but perversely fun crime comedy, headlined by Isabelle Huppert and the scene-stealing Michel Serrault.
Another good but not great murder mystery from Chabrol featuring the second outing of his snarky detective in a tale about immoralities.
It’s not a terrific film but it’s still fun to watch the murder mystery unfold as Chabrol gives us the requisite atmosphere that balances humour with the macabre.
Chabrol’s chill but sometimes suspenseful take on toxic masculinity comes in the form of four young women trying to figure out their lives in this long underseen French New Wave drama.
Chabrol’s firm Hitchcockian grasp on the crime-mystery belies his even more remarkable work with his characters and narrative, making this one of the great works of his late career.