Scorsese’s entertaining Bob Dylan documentary doesn’t really go very deep but it is an indelible time capsule as it tracks the legendary artiste’s defining 1975 tour across America.
Edited entirely from restored archival footage of Stalin’s state funeral, this is a cinema of profound sadness and a towering achievement from one of the great screen chroniclers of Soviet history.
An (in)famous Buddhist temple is in crisis as religion meets politics at the heart of Thai society in this revealing documentary.
The story of a radicalised young boy who desires to kill his schoolteacher is rendered with subtle but powerful strokes, making this one of the Dardennes’ most relevant films.
A heavy metal drummer goes deaf in this heartfelt ‘finding thyself’-type film headlined by a standout performance from Riz Ahmed, and featuring innovative use of sound that is true to its subject matter.
Reichardt continues to show why she is a master in making films where nothing quite happens, yet there is so much going on beneath the surface in this slow-moving if poignant tale of friendship between two men.
Mattie Do’s third feature might feel convoluted at times, but it is conceptually a largely fascinating sci-fi horror drama that explores personal guilt and regrets across time.
Good but not great, this handsomely-mounted biopic about a Welsh journalist’s news-breaking report on the Ukrainian famine of the early ‘30s under Stalin is a welcome introduction to a murky and disturbing part of 20th-century history.
Straightforward but effective feature debut that depicts the perils of social media virality in a post-truth world, through the eyes of a young boy suffering from an immeasurable injustice.
An old feisty street seller and his poor family fight for their right to make a living as local authorities demand their relocation in this engrossing, and at times, hilarious documentary filmed in pre-COVID Wuhan.
