The philosophising of Malick meets the ephemeral beauty of nature in this imperfect shortened IMAX version that shows how the Universe first started, and subsequently life on Earth.
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The philosophising of Malick meets the ephemeral beauty of nature in this imperfect shortened IMAX version that shows how the Universe first started, and subsequently life on Earth.
There’s a case for this to be Malick’s opus – it may be slow-moving but will be rewarding for anyone willing to enter a personal journey with the director as he attempts to lift us into a spiritual realm of meaning and purpose.
Certainly not one of Malick’s best, but this extraordinarily beautiful film—in its 172-minute extended cut—sees the director at his most lyrical and self-indulgent.
Arguably Terrence Malick’s greatest work – a masterpiece of light and darkness, calmness and brutality, and the intertwining of both, in this singular war film.
Malick’s second feature, an understated but contemplative effort, remains to be one the most beautifully shot films in the history of cinema.
As beautifully-shot as any in Malick’s oeuvre, this three-hour long piece based on a true story of an Austrian farmer who refused to fight for the Nazis in WWII is somewhat a return to form for the American auteur whose work here might still come across as a tad flat.