One of the most iconic anime ever produced, Otomo’s landmark work of dystopia and politics remains mind-blowing in its execution and acts as a stern warning to humanity not to destroy ourselves.
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One of the most iconic anime ever produced, Otomo’s landmark work of dystopia and politics remains mind-blowing in its execution and acts as a stern warning to humanity not to destroy ourselves.
As far as European crime mysteries about disappearances are concerned, this is one of the most unforgettable flicks of the ‘80s—a psychological thriller with an exacting disposition and a denouement that will haunt you for weeks.
Greek arthouse master Angelopoulos serves us one astonishing scene after another in this deliberately-paced elegiac road movie that also works as a powerful time capsule of late 1980s Greece.
Zulawski’s unfinished sci-fi epic, disrupted by the then Communist Polish government, about the perils of forming a new civilisation on an inhospitable planet is manic, ambitious if somewhat befuddling filmmaking at its best, rendered generously with jump cuts, astonishing imagery and the commitment to highly-physical performances.
A brilliant Isabelle Huppert headlines Chabrol’s true-story WWII drama about French women who had to deal with illegal abortion and prostitution, while bearing the brunt of legal and moral injustices.
Chan does his stunts and comedy with aplomb, but this sequel is let down by a wafer-thin plot and poor pacing.
Denis’ semi-autobiographical feature debut sees her reflect on the distant colonialist memory of being a white girl living in Cameroon, in a filmmaking style that is unmistakably hers—sensual, tactile and poetic.
With wall-to-wall ethnic music and a highly-theatrical style, Parajanov’s last completed feature may be the most accessible of his most well-known folkloric works, best described as an experimental Fellini on steroids.
One of the greatest of all Japanese anime from the master Isao Takahata, this holds enough emotional power to reduce any grownup into a sobering mess.
Scorsese’s most misunderstood film is also one of his masterpieces – an intensely personal, highly evocative and possibly the most spiritually affirmative picture about Christ ever made.