Skolimowski’s raw debut feature is like a Polish ‘Breathless’, though much less interesting and with little to really engage viewers.
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Skolimowski’s raw debut feature is like a Polish ‘Breathless’, though much less interesting and with little to really engage viewers.
Bava put Italian giallo movies on the world map with this ominous serial-killer mystery, packed with solid scares and features the breathtaking use of colours and shadows.
Kubrick’s pitch-black Cold War comedy is absolute gold, intelligently poking fun at the sheer absurdity of nuclear war and rhetoric.
The magic of cinema is exuded in this dialogue-as-lyrics French musical that is easily one of the most emotionally resonant pictures of its time and genre.
Pasolini asks the Italian public very bold and awkward questions about sex—and all of its political, social, economic and cultural implications—in this superb and highly-entertaining documentary survey.
The theme of the ‘father figure’ dictates the narrative of this decent 9th instalment of the ‘Zatoichi’ series.
This underappreciated debut feature by Ken Russell is a refreshing and energetic French New Wave-influenced comedy bursting with ideas and saying a thing or two about breaking conservative moral codes.
This 8th instalment is one of the series’ best—and different too—with director Kenji Misumi fashioning a slower-paced tale about Zatoichi’s longing for fatherhood.
The franchise’s 7th movie is its first true disappointment with a middling story, low stakes and a weak villain.