A masterpiece of baroque horror cinema that continues to haunt through tone, technique and characterisation.
Category / Kubrick, Stanley
Eyes Wide Shut (1999)
Kubrick’s final film is a calculated psychosexual trip filled with paranoia, moral depravity and sexual fantasies and excesses.
Barry Lyndon (1975)
Kubrick’s understated and underrated costume-drama is, to me, his greatest accomplishment, and possibly the most beautiful period film ever made.
Clockwork Orange, A (1971)
Kubrick’s dystopian masterpiece frustrates, angers, provokes, and ultimately floors you in ways unlike that of other great films.
2001: A Space Odyssey (1968)
Kubrick’s most influential film still remains way ahead of its time and is arguably the greatest sci-fi film ever made.
Paths of Glory (1957)
One of the most potent anti-war films ever made… so powerful it makes your blood boil at how some humans can be so despicable.
Killing, The (1956)
Kubrick treats the crime-noir genre in a revolutionary non-linear storytelling way in what is one of the most effective American heist films ever made.
