This mostly decent 18th installment balances drama with sharp swordfighting action in what is a decidedly darker film in tone.
Continue reading →
Zatoichi and the Fugitives (1968)
Continue reading →
Tag / 1968
Continue reading →
Immortal Story, The (1968)
The story-within-a-story treatise might feel undercooked but Welles still does a lot within its short runtime, particularly creating the film’s dreamy, intoxicating atmosphere, accompanied by the ethereal music of Erik Satie.
Continue reading →
Girl, The (1968)
While rather light on story, there’s a refreshing, liberating quality to Meszaros’ feature debut about a young Hungarian woman’s search for romantic and psychological fulfilment.
Continue reading →
Fando and Lis (1968)
Jodorowsky’s notorious debut feature seems to show us a burgeoning surrealist-visualist already fully-formed, but one couldn’t care any less for his meandering storytelling or impenetrable characters.
Continue reading →
Memories of Underdevelopment (1968)
Alea’s groundbreaking Cuban film may not be powerfully visceral, but its radical ‘docu-fiction’ style does encourage deep contemplation of the personal in relation to the political.
Continue reading →
Rosemary’s Baby (1968)
More psychological drama than pure horror, Polanski’s classic will haunt viewers willing to be immersed in its reality.
Continue reading →
2001: A Space Odyssey (1968)
Continue reading →Kubrick’s most influential film still remains way ahead of its time and is arguably the greatest sci-fi film ever made.
Kuroneko (1968)
Continue reading →A black-and-white samurai-cum-ghost movie with a thin storyline but effective in its consistent capture of an eerie if alluring visual tone.
