There’s a lot of filmmaking artistry to appreciate, and so is the sizzling chemistry between Tony Leung and Zhang Ziyi in this follow-up to In the Mood for Love (2000).

Arguably Wong Kar Wai’s finest hour, the film is gorgeous yet restrained… like an alluring yet yearnful waltz.

One of Wong’s most straightforward films is arguably his most mature, about the intimate kinship between two men.

Difficult to connect emotionally, but this companion piece to ‘Chungking Express’ (1994) has all the hallmarks of Hong Kong’s premier visual stylist.

Wong’s influential international breakthrough is fascinating, but it is not always well-paced.

Wong Kar-Wai became one of contemporary Chinese cinema’s most distinctive auteurs with this dreamy-romantic if fatalistic evocation of 1960s alienation and forlorn.