One of the most significant works of Georgian cinema, this anti-totalitarian film previously banned by the Soviets deals with its serious themes through a potent mix of acute symbolism and surrealist absurdity.
A young woman tests the limits of her romantic relationship by concurrently experimenting with being ‘single’ in one of Rohmer’s bleaker offerings on the existential nature of love.
A fun, thrilling if sometimes disturbing ride, but it is not as substantial as ‘Raiders’ or ‘Crusade’.
A hard-hitting ‘survival’ film of sorts in two movements, one set in a rural Indian village and the other in Calcutta city, that depicts an ‘Untouchable’ couple’s severe hardship as they try to navigate poverty, helplessness, and even lawlessness, in a terribly unforgiving world.
Ray’s third adaptation of Rabindranath Tagore’s work late on in his career is a quietly-composed and deliberately-paced tale about the intertwining of domestic and national affairs.
It’s not a bad adaptation of Eileen Chang’s novella, but Ann Hui’s film here doesn’t really feel resonating or powerful enough to work.
Continue reading →One of the key works of American independent cinema from the ‘80s, with Jarmusch presenting a beguiling tale of three loners who may or may not need each other’s company.
Continue reading →This is the work of two idiosyncratic brothers toying with cinematic possibilities and getting it right on the first try.
Continue reading →The first of Hou’s ‘coming-of-age’ trilogy is a delightful capture of the nostalgic days of childhood.
