Stone’s take on the greed and problematic ethics of Wall Street remains relevant though there is a sense of mechanical dullness to the proceedings – interesting but not particularly compelling.
Has its moments of awe-inspiring grandeur, but the film is unable to sustain in its final act despite Spielberg’s assured direction.
The second film of Meszaros’ ‘Diaries’ is an affecting semi-autobiographical tale of a young Hungarian woman with ambitions of becoming a film director, set against the tumultuous backdrop of the Soviet Bloc.
An entertaining De Palma crime-and-justice classic set in Prohibition-era Chicago, featuring indelible supporting work by Sean Connery and a rousingly emotional score by Ennio Morricone.
The last of Rohmer’s ‘Comedies & Proverbs’ series is a gratifying watch on what it means to fall in love—or break up—with friends and lovers.
Despite being overly melodramatic and feeling somewhat dated, a woman’s stand against the patriarchal order is brought to life in Ketan Mehta’s rousing tale.
Chow Yun-Fat and Cherie Chung sparkle in Mabel Cheung’s earnest and easy-going romance, shot in the grimy streets of New York.
The duality of being a U.S. Marine—to train to kill but also be expendable—is captured with cold, hard irony in Kubrick’s clinical take on the (Vietnam) war movie.
One of Malle’s finest works, this restrained drama builds up slowly, only to leave you emotionally shattered by the end of it.
A meta-horror film that sees the spectator as victim, constructed as a part-experimental, part visceral experience.
