Largely compelling and a history lesson as dramatic entertainment, Stone’s ambitious if sometimes heavy-handed portrait of the flawed presidency of Richard Nixon borders on Shakespearean tragedy.
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Largely compelling and a history lesson as dramatic entertainment, Stone’s ambitious if sometimes heavy-handed portrait of the flawed presidency of Richard Nixon borders on Shakespearean tragedy.
Oliver Stone is back in business in this brutal crime drama about drug cartels that is also flashy and entertaining.
Not as incisive and critical as the first film, Stone’s sequel, set in the context of the global financial crisis, is still decent enough to warrant a casual viewing.
Perhaps too unfairly dissed, this is electrifying filmmaking by Stone as he captures the excessive machismo of sport—in this case, American football—with flashy editing and an energetic ensemble cast that includes strong turns by Al Pacino and Jamie Foxx.
One of the greatest films ever made, this is sensational, complex and absolutely rivetting filmmaking by Oliver Stone about one of the most shocking American events of the 20th century and the fascinating conspiracy theories behind it.
One of Stone’s stronger works, this recreation of the 1960s American struggle for freedom amid the turmoil of the Vietnam War is at best fervent and emotional.
Stone’s take on the greed and problematic ethics of Wall Street remains relevant though there is a sense of mechanical dullness to the proceedings – interesting but not particularly compelling.
Stone’s Oscar-winning film retains its power and authenticity, and ranks as one of the best Vietnam War movies ever made.