Enigmatic and quiet by design, this formally-rigourous work brings Schanelec’s brand of austere cinema to its logical extreme as she once again explores human relationships in existential flux.
Electrifying filmmaking at times, this Cannes Camera d’Or-winning feature debut depicts a rebellious minority female teen from a French suburb who is suffering from social disenfranchisement as she seeks to make a better life for herself.
A modest but effective Sundance award-winning drama about patriarchal conservatism rearing its ugly head as an older Bedouin daughter in a traditional Arab family awaits her fateful future.
You can count on Pablo Larrain to imagine an unconventional and layered ‘biopic’ that speaks volumes of cinema’s potential in historicising and poeticising the legacy of a great man.
An unconventional if poignant character study on Jacqueline Kennedy that draws a haunting, lingering effect as if we are witnessing the intimate spectres of fragmented history flow resplendently back to life.
Bonello’s work about French homegrown terrorism is quite sensational in its thematic provocations and play with cinematic language.
The enfant terrible of contemporary Japanese cinema gives the ‘Roman Porno’ series by Nikkatsu a cheeky middle finger with this ultra-bizarre, pretentiously-feministic meta-film.
A tremendously urgent social realist work with a strong emotional core, blessed by Loach’s unadulterated approach to simplicity.
Not a great film by any measure, this oddly-structured dramatization and investigative inquiry into the ‘Miracle on the Hudson’ incident is a mildly-affirming work by Clint Eastwood.
The film operates with an ambitious canvas, unfolding with stately elegance, but it is Scorsese’s existential dissection of Christian theology that lends it its thought-provoking, even compassionate, power.
