Mattie Do somehow makes this Laotian drama with horror elements work despite a convoluted denouement.
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Dearest Sister (2016)
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Tag / 2016
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Handmaiden, The (2016)
A sexually-explicit Korean lesbian film that proves to be invitingly perverse under the hands of visual master Park Chan-wook.
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Arrival (2016)
You are in the hands of a consummate filmmaker bringing both science-fiction and humanistic elements seamlessly together in a film that is one of 2016’s finest.
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Woman Who Left, The (2016)
Lav Diaz’s Venice Golden Lion winner has its beautiful cinematic moments, but its diminishing returns are at best tolerable.
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Great Wall, The (2016)
Fairly entertaining inasmuch as it is a CG-fest ‘historical fantasy’ with spectacular visual flourishes, but ultimately generic and mechanical in its execution.
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Endless Poetry (2016)
With bizarre artifice and sheer ingenuity, Jodorowsky’s second autobiographical film celebrates life and art.
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13th (2016)
It may sometimes feel too didactic, but this documentary about the proliferation of prisons in the US as set in the context of racial inequality has its moments of shocking power.
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Certain Women (2016)
A triptych of stories of ordinary women in Montana, whose vulnerabilities and desires are given the quiet Kelly Reichardt touch in this slow and contemplative work.
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Fire at Sea (2016)
A deserving Golden Berlin Bear winner that powerfully documents the troubling migrant crisis from the vantage point of an Italian island and her life-goes-on inhabitants.
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Dreamed Path, The (2016)
Enigmatic and quiet by design, this formally-rigourous work brings Schanelec’s brand of austere cinema to its logical extreme as she once again explores human relationships in existential flux.
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