A depressing, slow-burning gay drama that only Fassbinder (also fantastic in the lead role) could have conceived—full of pathos and rich in its depiction of the milieu of a class-divided queer community.
An anomaly in Rohmer’s filmography, this beautiful if minimalist period costume drama about a woman who doesn’t know how she got pregnant feels like a stage exercise rather than an embracing, organic work.
This less celebrated entry in Fassbinder’s BRD trilogy is a biting take on capitalism and the commodification of the body as postwar Germany rebuilds.
The perils of drug addiction meet with the allure of a faded Third Reich star in Fassbinder’s evocative and fatalistic penultimate film.
A relentless if chaotic sound design intensifies this controversial ensemble drama about a group of middle-class European terrorists trying to find an impetus for action amid the lull of domestication.
One of the greatest feats by any filmmaker in the history of cinema, Herzog’s film pits personal ambition against the forces of nature as a man desires to build an opera house in the middle of the Amazon jungle.
Herzog brilliantly transports us to a bygone world and to the edge of madness as power and greed clash furiously with nature and survival in this great masterwork of 1970s German cinema.
This powerful and tragic German anti-war film pits a group of drafted schoolboys-turned-inexperienced-soldiers against the advancing Americans as WWII draws to a close.
A late career triumph by Billy Wilder that works effectively as a spiritual sequel to his legendary ‘Sunset Boulevard’, as he looked back at the glamour of Hollywood with sad ‘European’ eyes.
This early Fassbinder is one of his most piercing works, exploring the consequence of domestic and professional stress through a series of highly-engaging conversational long takes.
