Bergman’s first documentary provides a rather brief but still insightful look at the residents (farmer, schoolteacher, newly married couple, and more) of the isolated Fårö Island, poetically shot by longtime collaborator Sven Nykvist.
Perverse and provocative yet bland and uneven, Ostlund’s low-fi debut feature is at best a curiosity, a Roy Andersson-meets-Ulrich Seidl series of docu-fictive vignettes.
A small-town priest must contend with the silence of God as he is overwhelmed with existential doubts in one of Bergman’s sparest works about the limits of religious faith.
High society is taken apart with a ruthless hand in Ostlund’s new Cannes Palme d’Or-winning dark comedy that doesn’t always hit the mark but is nevertheless effective in fulfilling its social commentary aims.
A drama exploring the pent-up angst between a mother and daughter with emotionally intense performances by Bergman and Ullmann.
Using familiar genre tropes to tackle provocative themes, this shot-in-Istanbul, Cairo-set Cannes Best Screenplay winner asks hard questions about the troubling intersections between political and religious institutions.
Bergman in fine experimental form—still a radical work that explores the theme of personal identity through the performative and illusory medium of cinema.
Bergman’s most famous and influential work captures the torment of existence and mortality as a weary knight seeks for the elusive assurance of God as Death comes for him.
One of Bergman’s quietest films, but therein lies a powerful and existential meditation on religion, vengeance and guilt.
A young Swedish woman travels to Los Angeles in hopes of becoming a porn star in this sexually explicit if eye-opening dramatisation of professionalism, as coded by pleasure, pain, power and submission.
Eternality Tan 