Don’t think too much—this is Spielberg channeling his geeky gamer self, and darn, it is enjoyable.
Continue reading →
Ready Player One (2018)
Continue reading →
Tag / 2018
Continue reading →
Transit (2018)
Too overly-plotted, Petzold’s attempt at revising Casablanca for the modern age—and in his own oblique style and sensibility—doesn’t come out as deeply compelling as his best works.
Continue reading →
Trial, The (2018)
It gets dull after a while, but the context—a Soviet fabricated show trial ordered by Stalin to frame and prosecute ‘anti-communists’ in the eyes of the public—is still an eye-opening look at character assassination on a national, ideological level, nearly a century ago.
Continue reading →
Isle of Dogs (2018)
Wes Anderson’s quirky set-in-Japan dogs’ tale is breathtaking in its stop-motion animation detail, while accruing a rhythmic sense of movement and storytelling momentum from start to end.
Continue reading →
Knife + Heart (2018)
Yann Gonzalez’s decent sophomore feature continues his penchant for stylish, hallucinatory and provocative filmmaking in this serial killer mystery centering on a French gay porn producer.
Continue reading →
Sisters Brothers, The (2018)
The great Jacques Audiard’s first English-language film entertains with strong performances by Joaquin Phoenix and John C. Reilly, tackling the Western genre with rare wit and verve.
Continue reading →
Shadow (2018)
A return to form in some ways, Zhang’s monochrome martial-arts drama is visually gorgeous but not always compelling.
Continue reading →
Other Side of the Wind, The (2018)
Superbly-edited and exuding a sense of ‘new wave’ energy, Welles’ previously incomplete film before his death is now complete (or not?) in this strange, kaleidoscopic but rather uncompelling work.
Continue reading →
BlackKklansman (2018)
A return to sterling form for Spike Lee, this is one of the year’s most powerful films, and it’s very funny too.
Continue reading →
Yomeddine (2018)
This Egyptian drama has an enriching human story to tell, but the execution is unfortunately sappy and slight.
