Soderbergh’s take on the strip show dazzles with sights and sounds, but his film lacks dramatic substance.
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Magic Mike (2012)
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Category / Soderbergh, Steven
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Haywire (2011)
Soderbergh flaunts his technical ability in this rather mainstream endeavor, but style over substance makes the film far from the best of its genre.
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Contagion (2011)
One of the most realistic movies about a global pandemic outbreak, though Soderbergh’s film suffers from a rather lacklustre pacing and underdeveloped characters.
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Informant!, The (2009)
Based on an incredulous true story, this easy-going and quirky effort by Soderbergh starring a delightful Matt Damon, should leave a smile on your face.
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Traffic (2000)
Soderbergh is at his commanding best in this powerful and unsettling film that captures the essence of the U.S-Mexico drug trade as it is, and without the need to moralise.
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Erin Brockovich (2000)
A David versus Goliath true story done right by Soderbergh, featuring two outstanding performances from Julia Roberts and Albert Finney.
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Underneath, The (1995)
Dissed even by Soderbergh himself, this is a flawed if underrated noirish crime-thriller that works in its own oddly-paced way.
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King of the Hill (1993)
Soderbergh’s first studio effort is rich in its ‘30s Depression-era period detail, while also functioning as a coming-of-age tale with an unexpected touch of warmth.
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Solaris (2002)
Soderbergh’s take pales in comparison to Tarkovsky’s superior 1972 adaptation—it feels too cold and lacklustre overall though it does grow more inwardly emotional by its final act.
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Eternality Tan 