Soderbergh’s half-decent iPhone-shot ’90s style psycho-thriller induces paranoia and discomfort through its constricted visual style, and backed by a terrific performance by Claire Foy.
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Soderbergh’s half-decent iPhone-shot ’90s style psycho-thriller induces paranoia and discomfort through its constricted visual style, and backed by a terrific performance by Claire Foy.
Soderbergh returns with an offbeat heist comedy featuring strong performances, but one that half-grooves and half-plods along.
Brilliant performances by Michael Douglas and Matt Damon drive this lavishly-produced biopic on the famed pianist-entertainer Liberace.
Soderbergh’s latest is immensely well-shot and takes a methodical approach to storytelling, but still falls short of being a first-rate dramatic thriller.
Soderbergh’s take on the strip show dazzles with sights and sounds, but his film lacks dramatic substance.
Soderbergh flaunts his technical ability in this rather mainstream endeavor, but style over substance makes the film far from the best of its genre.
One of the most realistic movies about a global pandemic outbreak, though Soderbergh’s film suffers from a rather lacklustre pacing and underdeveloped characters.
Based on an incredulous true story, this easy-going and quirky effort by Soderbergh starring a delightful Matt Damon, should leave a smile on your face.
Soderbergh is at his commanding best in this powerful and unsettling film that captures the essence of the U.S-Mexico drug trade as it is, and without the need to moralise.
A David versus Goliath true story done right by Soderbergh, featuring two outstanding performances from Julia Roberts and Albert Finney.