Two young brothers hope to visit their estranged father who lives far away as this beautiful Tajik drama takes them on a picturesque train journey across the rural landscape of little villages and hills.
Continue reading →
Two young brothers hope to visit their estranged father who lives far away as this beautiful Tajik drama takes them on a picturesque train journey across the rural landscape of little villages and hills.
A stylish, aesthetic tour de force, particularly in the use of rear projection techniques, this noir-ish melodrama about an American train conductor in 1945 Germany tells of the precarious postwar atmosphere of remnant Nazism.
It’s hard to find a debut feature this dreamy and evocative, as Dash lends historical voice to her people—the generations of Gullahs who lived on the South Carolina Sea Islands as they endured slavery and faced a modernising 20th century.
The director’s cut does sometimes feel its length, but otherwise this is a solid biopic by Stanley Kwan about one of the most eminent Chinese actresses from early 20th century, played by a stunning Maggie Cheung.
One of the key works of American Black cinema of the ‘90s, this debut feature packs a punch in its depiction of race and violence despite occasionally wallowing in sentimentalism.
One of Ridley Scott’s most unabashed and unforgettable of entertainments—a road movie that’s never about the end of the road.
One of the greatest films ever made, this is sensational, complex and absolutely rivetting filmmaking by Oliver Stone about one of the most shocking American events of the 20th century and the fascinating conspiracy theories behind it.
My favourite Isao Takahata—a poignant and nostalgia-tinged tribute to memory, time, childhood and love in what could be Studio Ghibli’s finest work.
Arguably Zhang’s masterpiece, this plays out like an opera, at times ceremonial, at times tragic, but always tense and captivating.
One of the greatest documentaries about the making of a movie ever—and of ‘Apocalypse Now‘ no less.