Scorsese’s entertaining Bob Dylan documentary doesn’t really go very deep but it is an indelible time capsule as it tracks the legendary artiste’s defining 1975 tour across America.
One of Scorsese’s greatest accomplishments—an astonishing character study of the rise and fall of a world champion middleweight boxer that is also an acting and editing masterclass.
Scorsese’s underappreciated 3-hour crime epic, about a high-end Las Vegas casino being run by an organised crime syndicate, is one of his most riveting films.
Stunning contributions by cinematographer Roger Deakins and composer Philip Glass aside, Scorsese’s religious biopic about the 14th Dalai Lama sometimes feels inert and uninspired from a narrative point-of-view.
Scorsese delivers another career-high mob film that is quite unlike what he has done before in what could be a strong Best Picture contender.
The film operates with an ambitious canvas, unfolding with stately elegance, but it is Scorsese’s existential dissection of Christian theology that lends it its thought-provoking, even compassionate, power.
Scorsese redefines himself for the modern age with this intense, energetic and debaucherous crime-comedy that sees Leonardo DiCaprio giving possibly his greatest performance to date.
Scorsese’s brilliant love letter to the film lover, and the finest use of 3D technology since ‘Avatar’.
Absolutely love this more than most critics, this Scorsese mystery-thriller is full of twists and turns, and left me breathless with its superb filmmaking.
Slick editing and camerawork aside, this is the music documentary-cum-concert film par excellence by the great Martin Scorsese.
