One of Scorsese’s greatest accomplishments—an astonishing character study of the rise and fall of a world champion middleweight boxer that is also an acting and editing masterclass.

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Scorsese’s underappreciated 3-hour crime epic, about a high-end Las Vegas casino being run by an organised crime syndicate, is one of his most riveting films.

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Stunning contributions by cinematographer Roger Deakins and composer Philip Glass aside, Scorsese’s religious biopic about the 14^th Dalai Lama sometimes feels inert and uninspired from a narrative point-of-view. 

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The film operates with an ambitious canvas, unfolding with stately elegance, but it is Scorsese’s existential dissection of Christian theology that lends it its thought-provoking, even compassionate, power.

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Scorsese redefines himself for the modern age with this intense, energetic and debaucherous crime-comedy that sees Leonardo DiCaprio giving possibly his greatest performance to date.

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Scorsese’s brilliant love letter to the film lover, and the finest use of 3D technology since ‘Avatar’.

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Absolutely love this more than most critics, this Scorsese mystery-thriller is full of twists and turns, and left me breathless with its superb filmmaking.

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It might run a little too long and may not always compel, but Scorsese’s biopic features an excellent performance by DiCaprio and a stunning level of period detail.

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