For better or worse, this is possibly the director’s most accessible film to date, lacking the wondrous mysticism of his previous works, yet at the same time it feels more intimate as a personal elegy.
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For better or worse, this is possibly the director’s most accessible film to date, lacking the wondrous mysticism of his previous works, yet at the same time it feels more intimate as a personal elegy.
One of the finest arthouse films of the 2010s decade – enigmatic, bewildering, philosophical and a cinematic experience unlike any other.
Bewildering yet contemplative in true Apichatpong Weerasethakul style, this is a challenging work of art.
Sound as time, memory, life and death, the latest sensorial slow cinema entry from the Thai auteur starring a restrained Tilda Swinton is beautiful, hypnotic, and a much-needed sedative for our discomforting times.