This terrific Iraq War picture is as anti-war as it gets, adopting a pure, minimalist aesthetic but operating with a maximalist Oscar-worthy sound design, as several soldiers holed up in enemy territory await support and rescue.
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This terrific Iraq War picture is as anti-war as it gets, adopting a pure, minimalist aesthetic but operating with a maximalist Oscar-worthy sound design, as several soldiers holed up in enemy territory await support and rescue.
Garland’s sometimes tonally suspect fourth feature isn’t as sharp or clear-eyed as it set out to be, but it is technically strong and works as a cautionary tale as journalists attempt to chronicle the chaos and violence that come from an imploding America.
Continue reading →A different kind of measured, mainstream sci-fi that is almost like its thematic preoccupation—that of mutability where there is just enough change to enthrall and thrills to excite.
Continue reading →Alex Garland’s directorial debut is arguably the year’s most thought-provoking science-fiction film – polished, compelling and intelligent.