A couple discovers an underground subculture of car crash sexual fetishists in Cronenberg’s most transgressive work, an audacious masterclass of psychosexual filmmaking that portends the post-millennial existential despair and aberrant nihilism.
One of Cronenberg’s best films, this Russian-mobsters-in-London crime drama boasts well-developed characters and startling violence, as a nurse inevitably gets too close to exposing the sinister activities of a shady restaurateur.
A man with telepathic ability is recruited to infiltrate a clandestine group led by a nefarious ringleader with a similar ability in Cronenberg’s breakthrough sci-fi thriller that reveals his marked distaste for corporations and authorities that exploit humans and their bodies.
Cronenberg’s critically derided work is a misunderstood if inscrutable piece about the nihilistic reassurance of death and mortality in a world careening towards rigor mortis.
Cronenberg mixes the weird with the normal in this anti-Hollywood satire that is biting but doesn’t quite touch the clouds.
While at times vacuous, this Cronenberg picture is still intellectually stimulating, and most certainly one for the arthouse crowd.
One of Cronenberg’s very best films, this is a peak culmination of his body horror exploits with a rare emotional and human core to its storytelling.
A sci-fi body horror movie that stands out in Cronenberg’s ‘80s oeuvre for its special effects and just-as-relevant-today commentary on our obsession with the screen.
Cronenberg’s new sci-fi body horror is packed with fascinating ideas, but the film somewhat falls short in its half-baked attempt to realise them.
Eternality Tan 