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Eternality Tan

Hailing from Singapore & writing about cinema since 2007

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Featured

Blade, The (1995)

May 26, 2026 by Eternality Tan

Exploring #23: Mike De Leon

May 24, 2026May 24, 2026 by Eternality Tan

How to Divorce During the War (2026)

May 22, 2026May 22, 2026 by Eternality Tan

Useful Ghost, A (2025)

May 16, 2026May 16, 2026 by Eternality Tan

Citizen Kane (1941)

May 11, 2026 by Eternality Tan

Everybody to Kenmure Street (2026)

May 6, 2026May 6, 2026 by Eternality Tan

Eyes Without a Face (1960)

May 1, 2026May 1, 2026 by Eternality Tan

April (2024)

April 27, 2026 by Eternality Tan

Exploring #22: Piotr Szulkin

April 26, 2026 by Eternality Tan

Accattone (1961)

April 20, 2026 by Eternality Tan

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Category / Sen, Mrinal

February 6, 2022April 24, 2024 by Eternality Tan

Bhuvan Shome (1969)

  • Sen, Mrinal
  • 1969, India, Mrinal Sen
  • Leave a comment

As zany a film as you can find in Indian Parallel Cinema, Sen’s work about an uncompassionate city bureaucrat who goes on a perspective-changing hunting trip is highly-expressive in form and film language. 

⭐⭐⭐⭐

Rating: 3.5 out of 5.

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November 11, 2021 by Eternality Tan

Kaleidoscope, The (1981)

  • Sen, Mrinal
  • 1981, India, Mrinal Sen
  • 1 Comment

Smoke from coal ovens is a recurrent visual motif of class struggle in Sen’s excellent take on the material poverty of Calcutta’s poor, sprinkled with bouts of indelible dreamlike scenes. 

⭐⭐⭐⭐

Rating: 4 out of 5.

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October 31, 2021November 11, 2021 by Eternality Tan

In Search of Famine (1981)

  • Sen, Mrinal
  • 1981, India, Mrinal Sen
  • 1 Comment

Sen at his thought-provoking best, this highly-layered meta-filmic behind-the-scenes drama sees a film crew enter a poor village to make a movie about the 1943 Bengal famine, only to find it increasingly difficult to engage with the people, traditions, history and filmmaking itself.

⭐⭐⭐⭐

Rating: 4 out of 5.

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October 13, 2021 by Eternality Tan

Guerilla Fighter, The (1973)

  • Sen, Mrinal
  • 1973, India, Mrinal Sen
  • 8 Comments

Sen channels the unorthodoxy of Godard in this fiercely political docufiction about a Marxist-leaning radical tasked to hide in a middle-class woman’s luxury apartment.

⭐⭐⭐⭐

Rating: 3.5 out of 5.

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