This tenth instalment goes into darker territory with forced prostitution as one of its themes, but Zatoichi is in a serious mood to right wrongs with several well-choreographed fight scenes in store.
This war film shot in Cambodia and lensed by the great Raoul Coutard strongly emphasises on realism, but may feel slightly underwhelming.
A Polanski masterclass in psychosexual filmmaking, still effectively chilling and disturbing today as it was—surely a shocker!—back in the mid-‘60s.
Continue reading →Rosi’s shot-in-Spain film could be one of the finest works about bullfighting ever made despite a conventional rags-to-riches narrative.
It’s an inventive, original piece, but also a pretentious mess that struggles to sustain in what could be one of Godard’s most overrated films in his prolific first decade as a non-conforming artist.
