One of Ozu’s most accomplished silent efforts, this love story of jealousy and guilt set in the milieu of a small-time crook displays a mastery of visual storytelling.
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Dragnet Girl (1933)
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Category / Ozu, Yasujiro
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Hen in the Wind, A (1948)
An underrated postwar effort by Ozu, featuring an indelible performance by Kinuyo Tanaka whose character must do whatever it takes to fulfil her responsibilities as a mother to a sick child.
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Autumn Afternoon, An (1962)
Continue reading →Ozu’s final work is a near masterpiece, a meditation on marriage and ageing through the lens of a father-daughter relationship.
Floating Weeds (1959)
Continue reading →A rare Ozu masterpiece about being optimistic and moving on with life, shot in rich colour by the famous Kazuo Miyagawa.
Early Spring (1956)
This post-“Tokyo Story” drama may be one of Ozu’s longest endeavours, but it is also a superb if anomalous (at least of his later works) effort that centers on a young, salaried man tackling career and marriage.
Early Summer (1951)
One of Ozu’s more complex treatments on the institution of marriage, with a standout performance by the legendary Setsuko Hara.
Tokyo Story (1953)
Ozu’s crowning achievement is a true triumph of life-affirming, humanist filmmaking.
Flavour of Green Tea Over Rice, The (1952)
Continue reading →For fans, this lesser Ozu is still worth a pop in what is a leisurely-paced, relatively loosely-plotted, if slightly overdrawn drama about a middle-aged couple’s marital crisis.
Late Spring (1949)
Continue reading →Ozu’s first true masterpiece is a highly-resonant and poignant tale of a father and daughter reluctantly trying to let go of each other.
Record of a Tenement Gentleman (1947)
Continue reading →A lesser known work by Ozu that is an astute observation of a self-centered society.
Eternality Tan 