Melville’s sly if laidback anti-heist noir (if there ever was one) is an absorbing take on how individuals and the collective operate in matters of vice and deception.
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Bob le flambeur (1956)
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Tag / 1956
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Wrong Man, The (1956)
A stylistic and narrativistic departure for Hitchcock that is anchored by solid performances by Henry Fonda and Vera Miles.
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Aparajito (1956)
Ray’s powerful follow-up to ‘Pather Panchali’ has moments of exquisite emotional beauty and a deep sense of coming-to-terms with an ever-changing, sobering reality.
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Killing, The (1956)
Continue reading →Kubrick treats the crime-noir genre in a revolutionary non-linear storytelling way in what is one of the most effective American heist films ever made.
Bigger Than Life (1956)
Continue reading →At times operating like a domestic ‘horror’ film about the disintegration of a nuclear family, this controlled and daring drama sees Nicholas Ray and actor James Mason in great form.
Early Spring (1956)
This post-“Tokyo Story” drama may be one of Ozu’s longest endeavours, but it is also a superb if anomalous (at least of his later works) effort that centers on a young, salaried man tackling career and marriage.
Eternality Tan 