A ballet dancer is torn between romance and ambition in one of Powell and Pressburger’s most glorious and ravishing Technicolor triumphs.
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Red Shoes, The (1948)
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Tag / 1948
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Drunken Angel (1948)
A fiery doctor and an ill gangster form a love-hate bond in Kurosawa’s striking first collab with Toshiro Mifune, a tale of changing times amid out-of-fashion masculine codes of honour.
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Germany Year Zero (1948)
The third film of Rossellini’s heartbreaking neorealist ‘War’ trilogy tackles postwar Germany through the eyes of a boy suffering from material and moral poverty.
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Rope (1948)
No matter how many times you see it, it still holds up well as one of Hitchcock’s most morbid and suspenseful works.
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They Live by Night (1948)
Nicholas Ray’s debut feature is a straightforward lovers-on-the-run ‘romance-noir’ with strong chemistry between the two leads.
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Spring in a Small Town (1948)
One might need a historical appreciation of the progressive impact of this Chinese classic to feel its greatness, but as a film in itself, it feels quite bland and uncompelling.
Bicycle Thieves (1948)
Continue reading →Such is the profound impact and influence of De Sica’s postwar masterwork that it has arguably become a metonym for the Italian neorealist movement.
