Six dramatised end-of-WWII stories that bring us from Sicily to the Po Valley, the second part of Rossellini’s ‘War Trilogy’ shows us the emotions associated with the tragedy of war as well as the liberation from oppression.
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Six dramatised end-of-WWII stories that bring us from Sicily to the Po Valley, the second part of Rossellini’s ‘War Trilogy’ shows us the emotions associated with the tragedy of war as well as the liberation from oppression.
The third film of Rossellini’s heartbreaking neorealist ‘War’ trilogy tackles postwar Germany through the eyes of a boy suffering from material and moral poverty.
Rossellini’s work here is masterful, shot in a neorealist if also painterly style, that captures the purity and spirituality of ascetic Roman Catholicism in the early 13th century.
Rossellini’s breakthrough film is not just a defining work of Italian neorealism, but a powerful anti-war statement.