Anna Magnani is at her raucous best, playing a mother hoping that her daughter would become a child star, as this early comedy-drama by Visconti reveals the exploitative nature of the film industry.
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Anna Magnani is at her raucous best, playing a mother hoping that her daughter would become a child star, as this early comedy-drama by Visconti reveals the exploitative nature of the film industry.
One of the world cinema’s most ‘interiorised’ films about religious faith as Bresson centers on the thoughts of a suffering priest who is received coldly in the new village he has been posted to.
Kirk Douglas is sensational as an amoral journalist with an acerbic wit, who exploits the news of a man trapped in a cave, as Wilder gives us one of his most cynical films.
Save for the decent performances by Humphrey Bogart (his only Oscar win) and Katharine Hepburn, this journey-through-a-hostile-river adventure could have been more meandering than usual.
It may sometimes feel protracted, but Korda’s bleak work about a black priest who tries to locate his estranged son in Johannesburg (shot on location) shows the fatalistic implications of apartheid at the personal level.
Continue reading →Renoir’s extraordinarily beautiful work, shot entirely in India in Technicolour, is a triumph of cross-cultural storytelling as it meditates on the ephemerality of life.
One of Ozu’s more complex treatments on the institution of marriage, with a standout performance by the legendary Setsuko Hara.