Still banned theatrically in close-minded Singapore, this rousing, emotional work from Mani Ratnam about the conflicts stirred between the Hindus and Muslims is essential viewing for anyone who wants to understand why we must never bear religious and racial hatred.
A key work of early surrealist cinema, Cocteau’s baffling if highly-imaginative avantgarde piece about the existential crisis of a poet is a treat for both the eyes and mind.
Still an astonishing debut by Eisenstein, this set the foundation for the Soviet director’s theorising and application of his montage ideas.
The Oscar-winning directors of ‘Free Solo’ tackle with lucidity and suspense the incredible international rescue efforts of a group of Thai boys trapped deep in a flooded cave back in 2018.
Visually engaging, narratively sparse and occasionally surreal, this unique portrait of the lonely and the poor through the nearly silent interactions between a Nigerian man and four Vietnamese women ultimately peters out.
Probably a stretch to say that this is Malick meets Marvel, but Chloe Zhao delivers something different—a slower-paced, exposition-heavy actioner about creationism, existence and the ties that bind superheroes to their humanity.
Smoke from coal ovens is a recurrent visual motif of class struggle in Sen’s excellent take on the material poverty of Calcutta’s poor, sprinkled with bouts of indelible dreamlike scenes.
Not dull, but also not memorable, Ho’s debut feature sparkles at times but also disappoints.
Rohmer’s decent first entry in his ‘Four Seasons’ anthology may seem bright and airy, if only to serve as a direct contrast to the undercurrents of discord and antipathy among loved ones and acquaintances.
Whimsicality meets witticism in this delightful supernatural comedy adapted by Lean from Noel Coward’s sensational record-breaking theatre hit.
