A beloved Classical Hollywood tearjerker as love and fate intertwine in this melodrama directed with unassuming grace by Leo McCarey.
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Love Affair (1939)
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Category / Criterion Collection
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Worst Person in the World, The (2021)
A romance drama that is also a comedy and an elegy, Trier’s introspective new film has an understated, layered quality—and some cinematic tricks up its sleeves— exploring what this era’s ennui among millennials might feel like.
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Tie Me Up! Tie Me Down! (1989)
Almodovar’s Stockholm syndrome drama will probably be cancelled if made today, but while it isn’t a home run by his provocative standards, it features two impressionable performances by Antonio Banderas and Victoria Abril.
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Frances Ha (2012)
Baumbach’s charming if at times elegiac black-and-white drama about self-discovery and acceptance features an indelible performance by Greta Gerwig.
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Mandabi (1968)
The first-ever film to be shot in an African language, Sembene’s landmark sophomore feature is a cultural experience to behold, and a gently comic satire about the bureaucratic hurdles a debt-ridden man has to undergo to cash in his money order.
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Lola (1961)
Demy’s first feature is a modest, warm-spirited take on the bittersweet nature of past romances, transient acquaintances and the desire to find greener pastures.
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Umbrellas of Cherbourg, The (1964)
The magic of cinema is exuded in this dialogue-as-lyrics French musical that is easily one of the most emotionally resonant pictures of its time and genre.
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Samaritan Zatoichi (1968)
This 19th installment is a rather straightforward if still serviceable affair, as the guilt-ridden blind swordsman protects a woman from nefarious harm.
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French Dispatch, The (2021)
Anderson’s weakest in a long while despite the indelible images and precise mise-en-scene which he is so good at—there’s hardly any character worth resonating with, and the stories are way too dry and lack sentiment.
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Metropolitan (1990)
Stillman’s accomplished comedy (his debut feature) tackles a particular class milieu in America—what the young, well-to-do Manhattanites deem as ‘urban haute bourgeoisie’—with a wry and sardonic tone that is uniquely his.
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